Medieval
life followed the Feudal Structure; this structure was most beneficial to the
noblemen. However, every class embraced this system in hopes of surviving. In
the Feudal system communities were formed around a king, land grants were
awarded to the most important nobles in exchange for soldiers. The peasants
lived and worked on the king’s land in exchange for his protection, it was a
win-win agreement for both. Middle ages were a predominantly male era and women
were expected to know their place in society. But, what was a woman’s role in
society? According to church, women are inferior to men. A woman’s role is to
bear children and take care of the house; most importantly she must be
submissive to her father or husband.
Woman Milking a Cow |
Women weren’t allowed to
go to public schools, they were home schooled and then further educated in double monasteries. The catholic convent was an escape for women who were trying to
evade marriage. According to Chadwick the women were educated in the convents,
however they were unable to share their knowledge because men feared their
power would be overridden. “They were prohibited from teaching by St. Paul’s
caution that “a woman must be a learner, listening quietly and with due
submission.” (p 45)
The Beatus Apocalypse of Gerona 975 |
In the monasteries it was
believed that both monks and nuns worked together in producing manuscripts,
however there were no known female authors. A turning point for women in the middle ages was The well know manuscript The Beatus Apocalypse was written in a monastery in Spain. The manuscript depicted
the life of St. John. Emetrius and an unknown woman Ende wrote the manuscript. Another breakthrough for women artist in the
middle ages is the creation of the Bayeux Tapestry. The Bayeux Tapestry is
embroidery work that is made up of silk on linen. The Bayeux Tapestry is made up of a sequence of artwork which
re live the events of the Battle of Hastings. The origin of the Tapestry is
unknown, however historians believe the hands of a woman constructed the
tapestry. Their logic is that embroidery was known as a woman’s job
The Bayeux Tapestry, 1086 |
The
transition from Middle Ages to renaissance was a little easier for artist women
in society. Women of renaissance had the opportunity of being artist if they
were born in the family of an artist. Painter guilds were popular in helping
lower class artist in the renaissance years. Naturally women were excluded from
guilds, except the lace and silk makers guilds. Many noble women indulged in
the art of lace making. Nuns were also known for their proficiency in lace
making and they taught many women in the convent the art. However, exclusion
from the guild limited women’s ability to become artist. Women in general still
had a difficult time surviving in society; they were expected to follow the
rules that society set for them. Daughters were expected to remain pure until
marriage; if they do not marry they were expected to remain virgins. If an
unmarried woman lost her virginity she brought disgrace to all her male kin,
this is why a woman was held responsible if she was raped. A woman who was
raped was often punished because she humiliated her family, the level of
punishment reflected on the family’s rank in society. Women were also required
to master skills that would be beneficial to their marriage. Some of these
skills include embroidering, weaving, and managing finances. Once married women
now had new roles in society, wives were expected to manage the household,
entertain their husbands and work. Poorer wives helped tend to animals, shops,
and farms, artisan wives worked alongside their husbands, which allowed their
entrance into guilds. Many women used their entrance into the guild as a
gateway in the art world for women. Some important women artist from the
renaissance period includes Lavina Fontana, Elisabetta Sirani, and Amilcare
Anguissola. While life in the renaissance period hadn’t improved drastically
for women, it opened a path that led to the freedom that women enjoy today.
Most of the female artist was allowed to practice art, but all their earnings
were given to their father or husband. Women were humbled because they were
allowed to express themselves through art.
Works Cited
Chadwick, Whitney. Women,
Art, and Society. New York, N.Y.: Thames and Hudson,
1990. Print.
The
Guerrilla Girls' Bedside Companion to the History of Western Art. New York:
Penguin, 1998. Print.
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