Christian convents in the Middle Ages provided women one alternative to married life. |
Women were widely considered
inferior during the Middle Ages. Even though some women possessed considerable,
and often extraordinary power, most of them were very poor and had to work 12
hours every day just to get by. Behind every great king and ruler, was a woman.
The influence of women during the Middle Ages is often underestimated.
Most women of the Middle Ages were totally
dominated by men. Any man in the family could order a woman to do as he wished.
If a woman refused, she was beat into submission, as disobedience was
considered a crime against God. As stated in The Guerrilla Girls, “In classical civilization, women were the
virtual prisoners of the men in their lives, but medieval women took part in
almost every aspect of public life”(The Guerrilla Girls, 18).
Women
in the Middle Ages were treated as the second-class members within their social
class. They were taught to be obedient to their husbands and were expected to
run the household and raise children. Their role in the society, however, was
much more complex, while some medieval women achieved a high level of equality
with men. Women in the Middle Ages did have it rough but they just needed
different paths; which was joining the convent for some. The Guerrilla Girls
also specified, “Joining a convent freed women from the demanding roles of
wives and mother. Families sent girls as young as five or six years old to
nunneries. For some it was to live a religious life, for others it was because
their parents had blown the family fortune on their sisters dowries”(The
Guerrilla Girls, 21). Joining the convent was one way, women found piece in
life, where they lived life by, for, and about God and women.
Sofonisba Anguissola An Italian Renaissance painter born in Cremona. |
Women in Renaissances were either
married to a man or Jesus. If the family couldn’t afford to marry all the
daughters or any, in some cases, they were sent to join the convents. Some
women, growing middle class sometimes worked
in shops, though this was more common in Northern Europe than in Italy.
However, even in Italy women of the lower classes had a greater visible
presence in the streets than did those of the upper classes, and would meet at
communal wells to trade gossip and news. Furthermore, with time, women freedom
was little by little progressed. Women started to appear more on the streets
and in work places. Art became more meaningful, beyond detailed and painted by
extraordinary women. Sofonisba Anguissola’s example opened up the possibility
of painting to women as a socially acceptance profession, while her work
established new conventions for self-portrait by women and for Italian genre
painting. As Whitney Chadwick states in Women,
Art, and Society, “Thus the first woman painter to achieve fame and respect
did so within a set of constraints that removed her from competing for
commissions with her male contemporaries and that effectively placed her within
a critical category of her own”(Chadwick, 77). Life for women in the Middle
Ages and in the Renaissances was difficult but as Europe progressed, life got better.
Women participated in many artistic and
published products of their time, however, due to gender discrimination, and
the unfairness, their names were not published onto these entities. Women were
purposely put in unskilled activities due to the opinions and arrogant men who
assumed women were not as intelligent. However, many artistic works, proves
that women were just as talented as some men, if not, than more. Taking
Sofonisba Anguissola for example again, her age and gender, prevented her from engaging
and achieving more from the work she did. It is obvious that she held this
great talent that was not valued that but definitely valued years after her
death. Women overcame the hardships, proving themselves over and over again
through their art and hard work.
Sofonisba Anguissola self portrait 1561. |
Youtube video which expands on infamous women in the Middle Ages-Renaissances.
Works
Cited
Chadwick,
Whitney. Women, Art, and Society. New York, N.Y.: Thames and
Hudson,
1990. Print.
The
Guerrilla Girls' Bedside Companion to the History of Western Art. New
York:
Penguin, 1998.
Print.
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